Sunday, January 30, 2011

A Thousand Voices

Read Theresa Rebeck's disturbing, funny, and moving tale of misogyny in the theater world, which she presented at the Laura Pels Theater on March 15, 2010. Here's an excerpt:

And then I began my career as a professional playwright, where I was told that since I’m a woman, if I write about women, that meant I had a feminist agenda and that’s BAD. I also got told that when I write about men, since I’m a woman, I clearly have a feminist agenda, and that’s bad too. I couldn’t write about anything without hearing that I had a feminist agenda. It turned out that being a woman playwright was just in itself suspect; if you were a woman playwright by definition you had a feminist agenda, which was so bad, it annihilated the work itself. The other word for woman playwright might as well be “witch.”

As an aside let me add that I would rather be called a witch than a man-hater. Honestly, “man hater” really does need to be simply OFF THE TABLE. It bugs the shit out of me. I have a husband and a son and a lot of men in my life whom I love a lot and it’s creepy that people would toss that ugly accusation at anyone in the jovial spirit of name-calling. Someone actually called me that at a party a couple of weeks ago and I wanted to hit him. BUT I DIDN’T. Anyway, if you need to call me a name, “witch”--the preferred insult would be “witch,” or “madwoman in the attic” is also acceptable.
[...]
Here is what the numbers say to me: if we lived in an ideal world, the balance of new plays produced in theaters all over America would come out to, roughly, 50:50. The Dramatists Guild [...] tracks the percentages of women and men who enter graduate school as playwriting students, and it also tracks the numbers of people who apply for membership, and those numbers either stick to the 50:50 ratio OR there is a higher number of women. So in the ideal world, those women and men who are over the years developing their craft as playwrights should rise though the system at an even rate. This is not what is happening. Women are being shut out, at different levels of development and production, and you end up with this crazy 17 percent number, which seems to be the highest percentage we can get to, year in and year out. Seventeen percent of fifty percent is thirty four percent of a hundred percent. (Bear with me, I’m not making this up, I’m actually pretty good at math.) That means that sixty-six percent of the best plays by women—the plays that SHOULD be rising to the top, the plays that in a fair world would move into the culture as the stories we are telling ourselves—sixty six percent of women’s stories are being lost. Every year.

Friday, January 28, 2011

I'm reading at EARSHOT tonight

EARSHOT!

Join us at Rose Live Music in Williamsburg, Brooklyn!

Friday, January 28, 7:30 PM
@ Rose Live Music
[map]
Admission: $5 includes a FREE DRINK!


Hosted by Nicole Steinberg

Featuring:
Melissa Stein (Rough Honey)
Becca Klaver (LA Liminal)
Keith Lubeley (New York University)
Florencia Varela (Columbia University)
Tim Gomez (Sarah Lawrence College)

ROSE LIVE MUSIC is located at 345 Grand Street in Brooklyn, between Havemeyer and Marcy. Visit their website for directions: http://roselivemusic.com/.

EARSHOT is a bi-monthly reading series, dedicated to featuring new and emerging literary talent in the NYC area. Visit http://www.earshotnyc.com/ for more information or e-mail Nicole Steinberg at earshotnyc@gmail.com


Book Notes at largehearted boy




I love the Book Notes series at largehearted boy, and I'm really psyched to be a part of it. You can read about the songs that filled my playlist as I wrote LA Liminal here.

And, in a convenient coincidence, you can hear several of the songs on NPR's Beyond California Dreamin' mix, of which they write: "if you're expecting a sunny soundtrack full of California girls, surf and sun, you'll be surprised by the melancholy clouds that enshroud some of these songs."

That's what I'm talking about.


Tuesday, January 25, 2011

Madam's Organ Is the Spot

Check out the flyer for our Switchback/Horse Less/Coconut AWP reading! (Click to enlarge.)



Next Friday (2/4), I'll be reading at Madam's Organ at 6:00 for Lame House & Binge, then again for Switchback at 7:00.

Saturday, January 22, 2011

Save the date: Small Desk Press & Switchback Books Reading!



Wednesday, February 9th
8:00 p.m.

bookthugnation
100 N 3rd St (b/w Berry and Wythe)
Williamsburg, Brooklyn, NY

Featuring:
Becca Klaver
Jennifer Tamayo
Marisa Crawford
Matt L. Rohrer
Sarah Fran Wisby
Lizzy Acker

Wednesday, January 19, 2011

naturally wondrous

First I met Lily through Marisa. Then Lily wrote an awesome review of Marisa's The Haunted House, our latest Switchback book. Then Lily asked some of us to submit to the blog. Then I met Anne and heard Lily and Anne read from their I Am A Natural Wonder chapbook (forthcoming from Blue Hour Press). Then Justin from Blue Hour Press whipped up some gorgey designs for Jennifer Tamayo's [Red Missed Aches], our next Switchback book, begging to go the the printer right this second. Then I wrote two poems for the I Am A Natural Wonder blog, and one of them is up today. Moral: together, we are naturally wondrous.

Friday, January 7, 2011

400 pages of feminist poetics now

From the editors:

A Megaphone collects a number of enactments that Spahr and Young did between the years of 2005-2007. In these enactments, they attempted to think with the playful dogmatism of a feminist tradition that they call "crotchless pants and a machine gun" (obviously referencing Valie Export) in order to locate what might still be useful today about the somewhat beleaguered "second wave" feminist traditions. To that end, Spahr and Young lectured in Oulipian slenderized baby talk about figures such as Carolee Schneemann and Marina Abramovic; they counted the numbers of women and men and tansgendered people in various poetry anthologies; and they invited writers from outside the US to talk about being a writer where they live (over seventy-five writers from Puerto Rico to Morocco to Croatia to South Africa to Syria to Micronesia to Korea responded). Also included in A Megaphone are discussions of that always contested relationship between feminism and "experimental" poetry by Julian T. Brolaski, E. Tracy Grinnell, Paul Foster Johnson, Christian Peet, Barbara Jane Reyes, Dale Smith, and A. E. Stallings. The book ends with a (soma)tic writing exercise from CAConrad, one designed to encourage readers and writers to create open, yet still meaningful, feminist alliances.

We like to think of A Megaphone as a shout-out to the feminist work that writers are already doing and to work that they might do in the future. Maybe work that they do together, even if they do it at separate desks. It desires a big sticky, messy feminist web.

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$20 or $18 with free shipping if you order it before February 15, 2011.

Thursday, January 6, 2011

Yogurt Mountain Birthday Club

Train cases, blue lung, marines uniform underwear, correct pronunciation of caesura, suicide tree house cult, koi ponds, psikhushkas, doll with a head at both ends, how to defer student loan, yogurt mountain birthday club, Gwendolyn Brooks, can a penis literally break in half(?)

and other things Daniela Olszewska has needed to Google while writing poems for workshop

@ McSweeney's.

Destroyer "Kaputt" Video

Let's stay confounded.

Tim Dlugos, David Trinidad, Eileen Myles, & more


[click to enlarge]

Paintings by Philip Monaghan

Readings of Dlugos' work by David Trinidad, Eileen Myles, and Brad Gooch

Opening Reception
Wednesday, January 26, 2011
6:30-9:00 p.m.

Fales Library and Special Collections
Tracey/Barry Gallery
Elmer Holmes Bobst Library
New York University
70 Washington Square South, Third Floor
New York, NY 10012

Monday, January 3, 2011